The Wall of Death

Essay 565 • Aug 11th 2024

Beads of sweat dance from furrowed brows while eyes lock in concentration. An engine roars. The sound of knuckles cracking is muffled. A strong aroma of burnt rubber mixed with dirt and exhaust slides through air. The American Motor Drome riders take their positions and begin to whip their antique Indian Scout and Harley-Davidson motorcycles around the 30 foot wooden cylinder known as The Wall of Death. At speeds of around 35mph, the skilled riders perform acrobatic stunts. They spin their legs over their seats to ride sideways, reach their arms toward the red and white tent above, and precisely remove dollar bills from patrons’ hands who watch, mouths gaping open, at the top of the 14 foot wall. With greased back hair, collared shirts, and black Dickeys pants tightly tucked into sticky leather boots, the team of Hobo Bill, JR Sparks, Arielle Flight, Preacher Man, and Charlie Ransom capture a quintessential American Nostalgia.

This style of extreme motorcycle thrill shows has been a woven thread throughout America’s midways for over one hundred years. Today, however, this group is only one of three that remain. With their dynamic performances and iconic daredevil charm, the riders hope to keep this small bit of Americana alive.














 

Lauren Stewart is a self-taught American documentary & street photographer. She graduated from the College of Charleston in 2005 with a degree in English. From 2017 to 2019 she lived in and traveled through China, Nepal, India and Thailand where she covered South East Asia.

Her work focuses on documenting people’s daily lives to make global cross-cultural connections between the viewer and the subject. Her work has appeared in numerous international publications such as Suitcase Magazine, Electrify Magazine, Matador Network, NR Magazine as well as others. She was selected to be a part of the inaugural Women Street Photographers exhibit in 2018 in New York City and was also a finalist in the WSP virtual exhibition in 2019. Her work has also been included in the PHOS Street Photography Days Exhibition in Bulgaria in 2018 and PHOTO SC’s Feminism exhibition in Columbia, South Carolina in 2024.

She currently lives in the United States with her family while working on both street photography as well as long-term documentary projects revolving around the culture of the American South.

Instagram