Jamestown Moto Show

Essay 572 • Oct 27th 2024

Every Sunday evening, a stretch of road in Jamestown, Accra, turns electric. The air buzzes with engines and cheers as young boys take to the asphalt, each showing off their skills. Some ride alone, others have girlfriends perched behind them, holding tight. It’s a dance of balance, bravado, and freedom—an unapologetic claim to the street, to the town they call home that I have come to know and love since I arrived in Accra.

This weekly gathering is more than a motorcycle show. It’s where the ordinary becomes extraordinary. Friends, family, and strangers come together for the thrill. Children watch with wide eyes, older men nod knowingly, and women laugh. There’s a sense of belonging, a reminder that even amidst chaos, there's space for joy.

Watching them, I think of home—of Lagos, the energy that pulses through its streets—the hustle, the way people find moments of joy in the grind, and how communities form around spontaneous events. In Accra and Lagos, life is tough, but in these moments of shared thrill, we find connection.

These photos capture that fleeting in-between: when the sun dips, engines roar, and the world feels lighter. They tell of boldness, quiet bravery, and a community that gathers, week after week. It’s about Accra, but also about Lagos—about the shared human desire for freedom, however we can find it.





















 

Amarachi Nnoli (b. 2000, Enugu, Nigeria) is a photographer and visual artist living and working in Lagos. With her work, she is interested in and explores the documentation of women across different fields, nuances of familial relationships, archiving Igbo cultural practices, and the joys of the mundane lives of people. Amarachi holds a Bachelor of English and Literature from the University of Benin, graduating in 2021. Her practice has seen her participate in group exhibitions in London, Illinois Chicago, Archivo Jalon Angel’s “Cazadores de imágenes” exhibition in Zaragoza Spain, and +234 ArtFair in Lagos Nigeria. She is also a member of Black Women Photographers and African Photojournalist Database (APJD).
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